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ISRC

GBAYE9900709

The Sounds of the Universe Coming in My Window2

Song: SOUNDS OF THE UNIVERSE COMING IN MY WINDOW

Jack KerouacSteve Allen
matched
Released 1959-01-01

Last verified:

GBAYE9900709 is the International Standard Recording Code (ISRC) for the recording “The Sounds of the Universe Coming in My Window” by Jack Kerouac, Steve Allen, released 1959-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEVE ALLEN.

Format

GBCountry
AYERegistrant
99Year (1999)
00709Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThe Sounds of the Universe Coming in My Window
IPISTEVE ALLEN

People also ask

What is the ISRC for "The Sounds of the Universe Coming in My Window" by Jack Kerouac?
The ISRC for "The Sounds of the Universe Coming in My Window" by Jack Kerouac, Steve Allen is GBAYE9900709.
Who wrote "The Sounds of the Universe Coming in My Window"?
"The Sounds of the Universe Coming in My Window" was written by STEVE ALLEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYE9900709?

GBAYE9900709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Sounds of the Universe Coming in My Window” by Jack Kerouac, Steve Allen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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