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  1. Home
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  3. GBAYE2200033

Acquitted by Mirrors

ISRC

GBAYE2200033
Bill Nelson’s Red Noise
Released 1979-01-01

Last verified: September 15, 2026

The ISRC for “Acquitted by Mirrors” by Bill Nelson’s Red Noise is GBAYE2200033. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1979-01-01.

Format

GBCountry
AYERegistrant
22Year (2022)
00033Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for “Acquitted by Mirrors” by Bill Nelson’s Red Noise?+
The ISRC for “Acquitted by Mirrors” by Bill Nelson’s Red Noise is GBAYE2200033.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC GBAYE2200033?

GBAYE2200033 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Acquitted by Mirrors” by Bill Nelson’s Red Noise. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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SourcesMusicBrainz

Verified on

  • MusicBrainz recording record
Bill Nelson’s Red Noise

The ISRC for “Acquitted by Mirrors” by Bill Nelson’s Red Noise is GBAYE2200033. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1979-01-01.

Bill Nelson’s Red Noise

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