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Blue John’s Blues album cover

ISRC

GBAYE0200292

Blue John’s Blues2

Song: BLUE JOHN BLUES

Barclay James Harvest
matched
Released 1971-01-01

Last verified:

GBAYE0200292 is the International Standard Recording Code (ISRC) for the recording “Blue John’s Blues” by Barclay James Harvest, released 1971-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LEES.

Format

GBCountry
AYERegistrant
02Year (2002)
00292Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LEESComposer
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP. OriginalPublisherIPI: 00343667743

Who publishes this song?

UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP.OriginalPublisher
IPI: 00343667743
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Blue John’s Blues" by Barclay James Harvest?
The ISRC for "Blue John’s Blues" by Barclay James Harvest is GBAYE0200292.
Who wrote "Blue John’s Blues"?
"Blue John’s Blues" was written by LEES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYE0200292?

GBAYE0200292 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Blue John’s Blues” by Barclay James Harvest. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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