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ISRC

GBAYD8700007

Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths

Song: Nocturne, op. 60: VI. She sleeps

Robert TearEnglish Chamber OrchestraJeffrey Tate
Released 2006-01-01

Last verified:

GBAYD8700007 is the International Standard Recording Code (ISRC) for the recording "Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths" by Robert Tear, English Chamber Orchestra, Jeffrey Tate, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYDRegistrant
87Year (1987)
00007Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths" by Robert Tear?
The ISRC for "Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths" by Robert Tear, English Chamber Orchestra, Jeffrey Tate is GBAYD8700007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYD8700007?

GBAYD8700007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths" by Robert Tear, English Chamber Orchestra, Jeffrey Tate. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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