ISRC
GBAYC9900475
Ariadne auf Naxos: Prolog. Meine Partner! Meine erprobten Freunde! [Zerbinetta, Komponist, Musiklehrer, etc]
Song: Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister)
Last verified:
GBAYC9900475 is the International Standard Recording Code (ISRC) for the recording "Ariadne auf Naxos: Prolog. Meine Partner! Meine erprobten Freunde! [Zerbinetta, Komponist, Musiklehrer, etc]" by Rita Streich, Irmgard Seefried, Karl Dönch, Elisabeth Schwarzkopf, Hugues Cuénod, Philharmonia Orchestra, Herbert von Karajan, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1999):
- Last two digits of the reference year (1999). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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What is ISRC GBAYC9900475?
GBAYC9900475 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ariadne auf Naxos: Prolog. Meine Partner! Meine erprobten Freunde! [Zerbinetta, Komponist, Musiklehrer, etc]" by Rita Streich, Irmgard Seefried, Karl Dönch, Elisabeth Schwarzkopf, Hugues Cuénod, Philharmonia Orchestra, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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