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Symphony no. 3 in D minor: IV. Sehr langsam album cover

ISRC

GBAYC9700685

Symphony no. 3 in D minor: IV. Sehr langsam

Song: Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!')

Birgit RemmertCity of Birmingham Symphony OrchestraSir Simon Rattle
Released 1998-01-01

Last verified:

GBAYC9700685 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 3 in D minor: IV. Sehr langsam" by Birgit Remmert, City of Birmingham Symphony Orchestra, Sir Simon Rattle, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
97Year (1997)
00685Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Symphony no. 3 in D minor: IV. Sehr langsam" by Birgit Remmert?
The ISRC for "Symphony no. 3 in D minor: IV. Sehr langsam" by Birgit Remmert, City of Birmingham Symphony Orchestra, Sir Simon Rattle is GBAYC9700685.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9700685?

GBAYC9700685 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 3 in D minor: IV. Sehr langsam" by Birgit Remmert, City of Birmingham Symphony Orchestra, Sir Simon Rattle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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