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2 Songs, op. 4: Flickan kom från sin älsklings möte album cover

ISRC

GBAYC9600813

2 Songs, op. 4: Flickan kom från sin älsklings möte

Song: Flickan kom ifrån sin älsklings möte, op. 4 no. 1

Kungliga Filharmoniska OrkesternPaavo JärviAnne Sofie von Otter
Released 2024-11-08

Last verified:

GBAYC9600813 is the International Standard Recording Code (ISRC) for the recording "2 Songs, op. 4: Flickan kom från sin älsklings möte" by Kungliga Filharmoniska Orkestern, Paavo Järvi, Anne Sofie von Otter, released 2024-11-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
96Year (1996)
00813Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "2 Songs, op. 4: Flickan kom från sin älsklings möte" by Kungliga Filharmoniska Orkestern?
The ISRC for "2 Songs, op. 4: Flickan kom från sin älsklings möte" by Kungliga Filharmoniska Orkestern, Paavo Järvi, Anne Sofie von Otter is GBAYC9600813.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9600813?

GBAYC9600813 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "2 Songs, op. 4: Flickan kom från sin älsklings möte" by Kungliga Filharmoniska Orkestern, Paavo Järvi, Anne Sofie von Otter. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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