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Ceremony of Carols: III. There is no Rose album cover

ISRC

GBAYC9501520

Ceremony of Carols: III. There is no Rose2

Song: A CEREMONY OF CAROLS, OP. 28

Choir of King’s CollegeCambridgeOsian EllisSir David Willcocks
unmatchedNot yet matched in the MLC database
Released 1987-01-01

Last verified:

GBAYC9501520 is the International Standard Recording Code (ISRC) for the recording “Ceremony of Carols: III. There is no Rose” by Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
95Year (1995)
01520Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Ceremony of Carols: III. There is no Rose" by Choir of King’s College?
The ISRC for "Ceremony of Carols: III. There is no Rose" by Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks is GBAYC9501520.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9501520?

GBAYC9501520 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ceremony of Carols: III. There is no Rose” by Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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