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ISRC

GBAYC9101878

Götterdämmerung, Acte III Scène 3: "Grane, mein Roß, sei mir gegrüßt!"

Song: Götterdämmerung, WWV 86D: Akt III

Symphonieorchester des Bayerischen RundfunksBernard Haitink
Released 1994-01-01

Last verified:

GBAYC9101878 is the International Standard Recording Code (ISRC) for the recording "Götterdämmerung, Acte III Scène 3: "Grane, mein Roß, sei mir gegrüßt!"" by Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
91Year (1991)
01878Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Götterdämmerung, Acte III Scène 3: "Grane, mein Roß, sei mir gegrüßt!"" by Symphonieorchester des Bayerischen Rundfunks?
The ISRC for "Götterdämmerung, Acte III Scène 3: "Grane, mein Roß, sei mir gegrüßt!"" by Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink is GBAYC9101878.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9101878?

GBAYC9101878 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Götterdämmerung, Acte III Scène 3: "Grane, mein Roß, sei mir gegrüßt!"" by Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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