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ISRC

GBAYC9100157

Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)

Song: Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto

Cécile OussetCity of Birmingham Symphony OrchestraSimon Rattle
Released 1997-01-01

Last verified:

GBAYC9100157 is the International Standard Recording Code (ISRC) for the recording "Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)" by Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
91Year (1991)
00157Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)" by Cécile Ousset?
The ISRC for "Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)" by Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle is GBAYC9100157.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9100157?

GBAYC9100157 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)" by Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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