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ISRC

GBAYC9002526

Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68

Elisabeth SchwarzkopfRaymond ClarkGeraint JonesManoug ParikianSidney Sutcliffe

Last verified:

GBAYC9002526 is the International Standard Recording Code (ISRC) for the recording "Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68" by Elisabeth Schwarzkopf, Raymond Clark, Geraint Jones, Manoug Parikian, Sidney Sutcliffe. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
90Year (1990)
02526Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68" by Elisabeth Schwarzkopf?
The ISRC for "Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68" by Elisabeth Schwarzkopf, Raymond Clark, Geraint Jones, Manoug Parikian, Sidney Sutcliffe is GBAYC9002526.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC9002526?

GBAYC9002526 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mein Gläubiges Herze (My Heart Ever Faithful) From Cantata No 68" by Elisabeth Schwarzkopf, Raymond Clark, Geraint Jones, Manoug Parikian, Sidney Sutcliffe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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