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ISRC

GBAYC8904184

Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Agnus Dei

Song: Mass for 4 Voices, T 1: VI. Agnus Dei

The SixteenHarry Christophers
Released 2002-08-15

Last verified:

GBAYC8904184 is the International Standard Recording Code (ISRC) for the recording "Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Agnus Dei" by The Sixteen, Harry Christophers, released 2002-08-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
89Year (1989)
04184Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1989):
Last two digits of the reference year (1989). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Agnus Dei" by The Sixteen?
The ISRC for "Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Agnus Dei" by The Sixteen, Harry Christophers is GBAYC8904184.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8904184?

GBAYC8904184 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Agnus Dei" by The Sixteen, Harry Christophers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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