ISRC
GBAYC8900830
Mozart: Le nozze di Figaro, K. 492, Act II, Scene 9: “Signore! cos’è quel stupore?” (Susanna, Conte, Contessa) - “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa)
Song: LE NOZZE DI FIGARO
Last verified:
GBAYC8900830 is the International Standard Recording Code (ISRC) for the recording "Mozart: Le nozze di Figaro, K. 492, Act II, Scene 9: “Signore! cos’è quel stupore?” (Susanna, Conte, Contessa) - “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa)" by Wolfgang Amadeus Mozart, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Giuseppe Taddei, Carlo Maria Giulini, released 1961-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1989):
- Last two digits of the reference year (1989). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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People also ask
What is ISRC GBAYC8900830?
GBAYC8900830 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mozart: Le nozze di Figaro, K. 492, Act II, Scene 9: “Signore! cos’è quel stupore?” (Susanna, Conte, Contessa) - “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa)" by Wolfgang Amadeus Mozart, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Giuseppe Taddei, Carlo Maria Giulini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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