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ISRC

GBAYC8701842

Bassoon Concerto in B-flat, K. 191: III. Rondo: Tempo di Menuetto

Song: Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto

Günter PieskBerliner PhilharmonikerHerbert von Karajan
Released 1995-01-01

Last verified:

GBAYC8701842 is the International Standard Recording Code (ISRC) for the recording "Bassoon Concerto in B-flat, K. 191: III. Rondo: Tempo di Menuetto" by Günter Piesk, Berliner Philharmoniker, Herbert von Karajan, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
87Year (1987)
01842Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Bassoon Concerto in B-flat, K. 191: III. Rondo: Tempo di Menuetto" by Günter Piesk?
The ISRC for "Bassoon Concerto in B-flat, K. 191: III. Rondo: Tempo di Menuetto" by Günter Piesk, Berliner Philharmoniker, Herbert von Karajan is GBAYC8701842.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8701842?

GBAYC8701842 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bassoon Concerto in B-flat, K. 191: III. Rondo: Tempo di Menuetto" by Günter Piesk, Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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