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Messiah: Arioso: Behold and see if there be any sorrow (tenor) album cover

ISRC

GBAYC2300836

Messiah: Arioso: Behold and see if there be any sorrow (tenor)

Song: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)

Nicolai GeddaPhilharmonia OrchestraOtto Klemperer
Released 2023-10-27

Last verified:

GBAYC2300836 is the International Standard Recording Code (ISRC) for the recording "Messiah: Arioso: Behold and see if there be any sorrow (tenor)" by Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer, released 2023-10-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
23Year (2023)
00836Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah: Arioso: Behold and see if there be any sorrow (tenor)" by Nicolai Gedda?
The ISRC for "Messiah: Arioso: Behold and see if there be any sorrow (tenor)" by Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer is GBAYC2300836.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2300836?

GBAYC2300836 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messiah: Arioso: Behold and see if there be any sorrow (tenor)" by Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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