Overture in the French Style, BWV 831: V. Sarabande album cover

ISRC

GBAYC2100066

Overture in the French Style, BWV 831: V. Sarabande2

Song: PARTITA NO. 1 IN B MINOR BWV 1002: V. SARABANDE

Andrew von Oeyen
matched
Released 2021-06-11

Last verified:

GBAYC2100066 is the International Standard Recording Code (ISRC) for the recording “Overture in the French Style, BWV 831: V. Sarabande by Andrew von Oeyen, released 2021-06-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TRAD, CHRISTOPHER THILE.

Format

GBCountry
AYCRegistrant
21Year (2021)
00066Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Overture in the French Style, BWV 831: V. Sarabande" by Andrew von Oeyen?
The ISRC for "Overture in the French Style, BWV 831: V. Sarabande" by Andrew von Oeyen is GBAYC2100066.
Who wrote "Overture in the French Style, BWV 831: V. Sarabande"?
"Overture in the French Style, BWV 831: V. Sarabande" was written by TRAD, CHRISTOPHER THILE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2100066?

GBAYC2100066 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Overture in the French Style, BWV 831: V. Sarabande by Andrew von Oeyen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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