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ISRC

GBAYC2003392

Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?”

Lea DesandreJupiterThomas Dunford
Released 2021-09-17

Last verified:

GBAYC2003392 is the International Standard Recording Code (ISRC) for the recording "Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?”" by Lea Desandre, Jupiter, Thomas Dunford, released 2021-09-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
20Year (2020)
03392Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?”" by Lea Desandre?
The ISRC for "Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?”" by Lea Desandre, Jupiter, Thomas Dunford is GBAYC2003392.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2003392?

GBAYC2003392 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?”" by Lea Desandre, Jupiter, Thomas Dunford. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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