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ISRC

GBAYC1901775

Agrippina, HWV 6: Appendix: Atto I, Scena 19: Aria: “Fa’ quanto vuoi”

Song: Agrippina, HWV 6: Atto I, Scena XIX. Aria "Fa quanto vuoi" (Poppea)

Joyce DiDonatoElsa BenoitIl Pomo d’OroMaxim Emelyanychev
Released 2020-01-28

Last verified:

GBAYC1901775 is the International Standard Recording Code (ISRC) for the recording "Agrippina, HWV 6: Appendix: Atto I, Scena 19: Aria: “Fa’ quanto vuoi”" by Joyce DiDonato, Elsa Benoit, Il Pomo d’Oro, Maxim Emelyanychev, released 2020-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
19Year (2019)
01775Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Agrippina, HWV 6: Appendix: Atto I, Scena 19: Aria: “Fa’ quanto vuoi”" by Joyce DiDonato?
The ISRC for "Agrippina, HWV 6: Appendix: Atto I, Scena 19: Aria: “Fa’ quanto vuoi”" by Joyce DiDonato, Elsa Benoit, Il Pomo d’Oro, Maxim Emelyanychev is GBAYC1901775.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1901775?

GBAYC1901775 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Agrippina, HWV 6: Appendix: Atto I, Scena 19: Aria: “Fa’ quanto vuoi”" by Joyce DiDonato, Elsa Benoit, Il Pomo d’Oro, Maxim Emelyanychev. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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