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ISRC

GBAYC1702104

Parsifal: Atto II. “Ho visto, il figlio sul materno sen” (Kundry)

Song: Parsifal: Atto II. “Ho visto il figlio sul materno sen”

Maria CallasOrchestra sinfonica di Roma della RAIVittorio Gui
Released 1988-01-01

Last verified:

GBAYC1702104 is the International Standard Recording Code (ISRC) for the recording "Parsifal: Atto II. “Ho visto, il figlio sul materno sen” (Kundry)" by Maria Callas, Orchestra sinfonica di Roma della RAI, Vittorio Gui, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
17Year (2017)
02104Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Parsifal: Atto II. “Ho visto, il figlio sul materno sen” (Kundry)" by Maria Callas?
The ISRC for "Parsifal: Atto II. “Ho visto, il figlio sul materno sen” (Kundry)" by Maria Callas, Orchestra sinfonica di Roma della RAI, Vittorio Gui is GBAYC1702104.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1702104?

GBAYC1702104 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Parsifal: Atto II. “Ho visto, il figlio sul materno sen” (Kundry)" by Maria Callas, Orchestra sinfonica di Roma della RAI, Vittorio Gui. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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