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ISRC

GBAYC1700582

Die Walküre, WWV 86B, Act 2: "Siegmund! Sieh' auf mich!" (Brünnhilde, Siegmund)

Kirsten FlagstadSet SvanholmPhilharmonia OrchestraKarl Böhm
Released 2017-01-01

Last verified:

GBAYC1700582 is the International Standard Recording Code (ISRC) for the recording "Die Walküre, WWV 86B, Act 2: "Siegmund! Sieh' auf mich!" (Brünnhilde, Siegmund)" by Kirsten Flagstad, Set Svanholm, Philharmonia Orchestra, Karl Böhm, released 2017-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
17Year (2017)
00582Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die Walküre, WWV 86B, Act 2: "Siegmund! Sieh' auf mich!" (Brünnhilde, Siegmund)" by Kirsten Flagstad?
The ISRC for "Die Walküre, WWV 86B, Act 2: "Siegmund! Sieh' auf mich!" (Brünnhilde, Siegmund)" by Kirsten Flagstad, Set Svanholm, Philharmonia Orchestra, Karl Böhm is GBAYC1700582.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1700582?

GBAYC1700582 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Walküre, WWV 86B, Act 2: "Siegmund! Sieh' auf mich!" (Brünnhilde, Siegmund)" by Kirsten Flagstad, Set Svanholm, Philharmonia Orchestra, Karl Böhm. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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