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ISRC

GBAYC1400546

Orphée et Eurydice : « J’ai perdu mon Eurydice »

Song: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée)

Maria CallasOrchestre national de la Radiodiffusion FrançaiseGeorges Prêtre
Released 1989-01-01

Last verified:

GBAYC1400546 is the International Standard Recording Code (ISRC) for the recording "Orphée et Eurydice : « J’ai perdu mon Eurydice »" by Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
14Year (2014)
00546Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Orphée et Eurydice : « J’ai perdu mon Eurydice »" by Maria Callas?
The ISRC for "Orphée et Eurydice : « J’ai perdu mon Eurydice »" by Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre is GBAYC1400546.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1400546?

GBAYC1400546 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Orphée et Eurydice : « J’ai perdu mon Eurydice »" by Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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