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ISRC

GBAYC1302776

Five Pieces in Folk Style: II. Langsam2

Song: LANGSAM FROM FUNF STUCKE IM VOLKSTON OP 102

Gautier CapuçonFrank Braley
matched
Released 2013-01-01

Last verified:

GBAYC1302776 is the International Standard Recording Code (ISRC) for the recording “Five Pieces in Folk Style: II. Langsam” by Gautier Capuçon, Frank Braley, released 2013-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JULIAN LLOYD WEBBER, ROBERT ALEXANDER SCHUMANN.

Format

GBCountry
AYCRegistrant
13Year (2013)
02776Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFive Pieces in Folk Style: II. Langsam
IPIJULIAN LLOYD WEBBER

People also ask

What is the ISRC for "Five Pieces in Folk Style: II. Langsam" by Gautier Capuçon?
The ISRC for "Five Pieces in Folk Style: II. Langsam" by Gautier Capuçon, Frank Braley is GBAYC1302776.
Who wrote "Five Pieces in Folk Style: II. Langsam"?
"Five Pieces in Folk Style: II. Langsam" was written by JULIAN LLOYD WEBBER, ROBERT ALEXANDER SCHUMANN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC1302776?

GBAYC1302776 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Five Pieces in Folk Style: II. Langsam” by Gautier Capuçon, Frank Braley. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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