Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck album cover

ISRC

GBAYC0903291

Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck2

Song: PUBLIC DOMAIN TRACK

Martha ArgerichGautier CapuçonRenaud Capuçon
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Released 2010-01-01

Last verified:

GBAYC0903291 is the International Standard Recording Code (ISRC) for the recording “Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck by Martha Argerich, Gautier Capuçon, Renaud Capuçon, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
09Year (2009)
03291Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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MLC Song Code

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What is the ISRC for "Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck" by Martha Argerich?
The ISRC for "Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck" by Martha Argerich, Gautier Capuçon, Renaud Capuçon is GBAYC0903291.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0903291?

GBAYC0903291 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck by Martha Argerich, Gautier Capuçon, Renaud Capuçon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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