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ISRC

GBAYC0501680

Cinq Mélodies populaires grecques: Tout gai!

Song: Cinq Mélodies populaires grecques: V. Tout gai!

Victoria de los ÁngelesOrchestre de la Société des Concerts du ConservatoireGeorges Prêtre
Released 1993-01-01

Last verified:

GBAYC0501680 is the International Standard Recording Code (ISRC) for the recording "Cinq Mélodies populaires grecques: Tout gai!" by Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
05Year (2005)
01680Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cinq Mélodies populaires grecques: Tout gai!" by Victoria de los Ángeles?
The ISRC for "Cinq Mélodies populaires grecques: Tout gai!" by Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre is GBAYC0501680.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0501680?

GBAYC0501680 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cinq Mélodies populaires grecques: Tout gai!" by Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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