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Three Préludes: Feux d'artifice album cover

ISRC

GBAYC0402483

Three Préludes: Feux d'artifice2

Song: FEUX D'ARTIFICE

Berliner PhilharmonikerSimon Rattle
matched
Released 2005-08-01

Last verified:

GBAYC0402483 is the International Standard Recording Code (ISRC) for the recording “Three Préludes: Feux d'artifice” by Berliner Philharmoniker, Simon Rattle, released 2005-08-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLAUDE DEBUSSY.

Format

GBCountry
AYCRegistrant
04Year (2004)
02483Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CLAUDE DEBUSSYComposer
SourcesMusicBrainzMLCNotes3 sources

Verified on

People also ask

What is the ISRC for "Three Préludes: Feux d'artifice" by Berliner Philharmoniker?
The ISRC for "Three Préludes: Feux d'artifice" by Berliner Philharmoniker, Simon Rattle is GBAYC0402483.
Who wrote "Three Préludes: Feux d'artifice"?
"Three Préludes: Feux d'artifice" was written by CLAUDE DEBUSSY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0402483?

GBAYC0402483 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Three Préludes: Feux d'artifice” by Berliner Philharmoniker, Simon Rattle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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