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ISRC

GBAYC0300427

The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell

Song: L’Oiseau de feu: no. 12: Tableau I, Danse de la suite de Kachtcheï, enchantée par l’Oiseau de feu

Boston Symphony OrchestraSeiji Ozawa
Released 1984-01-01

Last verified:

GBAYC0300427 is the International Standard Recording Code (ISRC) for the recording "The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell" by Boston Symphony Orchestra, Seiji Ozawa, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
03Year (2003)
00427Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell" by Boston Symphony Orchestra?
The ISRC for "The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell" by Boston Symphony Orchestra, Seiji Ozawa is GBAYC0300427.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0300427?

GBAYC0300427 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell" by Boston Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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