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ISRC

GBAYC0003329

Matthäus-Passion, BWV 244: Erbarme dich, mein Gott

Song: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"

Stephanie BlytheEmmanuelle HaïmEnsemble Orchestral de ParisJohn Nelson
Released 2006-01-01

Last verified:

GBAYC0003329 is the International Standard Recording Code (ISRC) for the recording "Matthäus-Passion, BWV 244: Erbarme dich, mein Gott" by Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
00Year (2000)
03329Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Matthäus-Passion, BWV 244: Erbarme dich, mein Gott" by Stephanie Blythe?
The ISRC for "Matthäus-Passion, BWV 244: Erbarme dich, mein Gott" by Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson is GBAYC0003329.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0003329?

GBAYC0003329 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Matthäus-Passion, BWV 244: Erbarme dich, mein Gott" by Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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