Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde album cover

ISRC

GBASH1137309

Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde

Song: Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"

Iestyn DaviesMatthew HallsRetrospect Ensemble
Released 2011-04-01

Last verified:

GBASH1137309 is the International Standard Recording Code (ISRC) for the recording “Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde by Iestyn Davies, Matthew Halls, Retrospect Ensemble, released 2011-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ASHRegistrant
11Year (2011)
37309Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde" by Iestyn Davies?
The ISRC for "Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde" by Iestyn Davies, Matthew Halls, Retrospect Ensemble is GBASH1137309.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBASH1137309?

GBASH1137309 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde by Iestyn Davies, Matthew Halls, Retrospect Ensemble. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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