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Easter Oratorio, BWV. 249 - Aria - Sanfte soll mein Todeskummer album cover

ISRC

GBASH1137307

Easter Oratorio, BWV. 249 - Aria - Sanfte soll mein Todeskummer

Song: Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer"

James GilchristMatthew HallsRetrospect Ensemble
Released 2011-04-01

Last verified:

GBASH1137307 is the International Standard Recording Code (ISRC) for the recording "Easter Oratorio, BWV. 249 - Aria - Sanfte soll mein Todeskummer" by James Gilchrist, Matthew Halls, Retrospect Ensemble, released 2011-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ASHRegistrant
11Year (2011)
37307Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Easter Oratorio, BWV. 249 - Aria - Sanfte soll mein Todeskummer" by James Gilchrist?
The ISRC for "Easter Oratorio, BWV. 249 - Aria - Sanfte soll mein Todeskummer" by James Gilchrist, Matthew Halls, Retrospect Ensemble is GBASH1137307.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBASH1137307?

GBASH1137307 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Easter Oratorio, BWV. 249 - Aria - Sanfte soll mein Todeskummer" by James Gilchrist, Matthew Halls, Retrospect Ensemble. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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