Easter Oratorio, BWV. 249 - Aria - Seele, deine Spezereien album cover

ISRC

GBASH1137305

Easter Oratorio, BWV. 249 - Aria - Seele, deine Spezereien

Song: Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien"

Carolyn SampsonMatthew HallsRetrospect Ensemble
Released 2011-04-01

Last verified:

GBASH1137305 is the International Standard Recording Code (ISRC) for the recording “Easter Oratorio, BWV. 249 - Aria - Seele, deine Spezereien by Carolyn Sampson, Matthew Halls, Retrospect Ensemble, released 2011-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ASHRegistrant
11Year (2011)
37305Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Easter Oratorio, BWV. 249 - Aria - Seele, deine Spezereien" by Carolyn Sampson?
The ISRC for "Easter Oratorio, BWV. 249 - Aria - Seele, deine Spezereien" by Carolyn Sampson, Matthew Halls, Retrospect Ensemble is GBASH1137305.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBASH1137305?

GBASH1137305 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Easter Oratorio, BWV. 249 - Aria - Seele, deine Spezereien by Carolyn Sampson, Matthew Halls, Retrospect Ensemble. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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