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Hosanna to the highest, Z. 187 album cover

ISRC

GBAJY9362310

Hosanna to the highest, Z. 187

Song: HOSANNA TO THE HIGHEST Z 187

The King’s ConsortRobert King
matched
Released 1993-01-01

Last verified:

GBAJY9362310 is the International Standard Recording Code (ISRC) for the recording "Hosanna to the highest, Z. 187" by The King’s Consort, Robert King, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HENRY PURCELL.

Format

GBCountry
AJYRegistrant
93Year (1993)
62310Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HENRY PURCELLComposerLyricist

MLC Song Code

HB72P6
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hosanna to the highest, Z. 187" by The King’s Consort?
The ISRC for "Hosanna to the highest, Z. 187" by The King’s Consort, Robert King is GBAJY9362310.
Who wrote "Hosanna to the highest, Z. 187"?
"Hosanna to the highest, Z. 187" was written by HENRY PURCELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9362310?

GBAJY9362310 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Hosanna to the highest, Z. 187" by The King’s Consort, Robert King. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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