COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY album cover

ISRC

GBAJY9259802

COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY

Song: COME, YE SONS OF ART

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GBAJY9259802 is the International Standard Recording Code (ISRC) for the recording “COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HENRY PURCELL, JOHN B. HAKENIEN.

Format

GBCountry
AJYRegistrant
92Year (1992)
59802Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCOME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY

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People also ask

What is the ISRC for "COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY"?
The ISRC for "COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY" is GBAJY9259802.
Who wrote "COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY"?
"COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY" was written by HENRY PURCELL, JOHN B. HAKENIEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9259802?

GBAJY9259802 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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