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Messiah: Part 1: Chorus: His yoke is easy and his burthen is light album cover

ISRC

GBAJY0980021

Messiah: Part 1: Chorus: His yoke is easy and his burthen is light

Song: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”

PolyphonyBritten SinfoniaStephen Layton
Released 2009-11-10

Last verified:

GBAJY0980021 is the International Standard Recording Code (ISRC) for the recording "Messiah: Part 1: Chorus: His yoke is easy and his burthen is light" by Polyphony, Britten Sinfonia, Stephen Layton, released 2009-11-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
09Year (2009)
80021Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah: Part 1: Chorus: His yoke is easy and his burthen is light" by Polyphony?
The ISRC for "Messiah: Part 1: Chorus: His yoke is easy and his burthen is light" by Polyphony, Britten Sinfonia, Stephen Layton is GBAJY0980021.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY0980021?

GBAJY0980021 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messiah: Part 1: Chorus: His yoke is easy and his burthen is light" by Polyphony, Britten Sinfonia, Stephen Layton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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