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ISRC

GBAJY0760302

Messe en l'honneur du Saint-Sacrement, op. 130: Gloria

Song: Messe en l'honneur du Saint-Sacrement, op. 130: II. Gloria

Choir of St John’s CollegeCambridgeLondon City BrassPaul ProvostDavid Hill
Released 2007-01-01

Last verified:

GBAJY0760302 is the International Standard Recording Code (ISRC) for the recording "Messe en l'honneur du Saint-Sacrement, op. 130: Gloria" by Choir of St John’s College, Cambridge, London City Brass, Paul Provost, David Hill, released 2007-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
07Year (2007)
60302Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Messe en l'honneur du Saint-Sacrement, op. 130: Gloria" by Choir of St John’s College?
The ISRC for "Messe en l'honneur du Saint-Sacrement, op. 130: Gloria" by Choir of St John’s College, Cambridge, London City Brass, Paul Provost, David Hill is GBAJY0760302.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY0760302?

GBAJY0760302 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messe en l'honneur du Saint-Sacrement, op. 130: Gloria" by Choir of St John’s College, Cambridge, London City Brass, Paul Provost, David Hill. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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