ISRC

GBAJY0653231

Missa In illo tempore - V. Benedictus2

Song: MISSA A 6 VOCI DA CAPELLA `IN ILLO TEMPORE`, SV 205 + 205A SV205

Robert KingThe King’s Consort
matched
Released 2006-05-02

Last verified:

GBAJY0653231 is the International Standard Recording Code (ISRC) for the recording “Missa In illo tempore - V. Benedictus by Robert King, The King’s Consort, released 2006-05-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLAUDIO MONTEVERDI.

Format

GBCountry
AJYRegistrant
06Year (2006)
53231Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CLAUDIO MONTEVERDIComposerLyricist
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Missa In illo tempore - V. Benedictus" by Robert King?
The ISRC for "Missa In illo tempore - V. Benedictus" by Robert King, The King’s Consort is GBAJY0653231.
Who wrote "Missa In illo tempore - V. Benedictus"?
"Missa In illo tempore - V. Benedictus" was written by CLAUDIO MONTEVERDI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY0653231?

GBAJY0653231 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Missa In illo tempore - V. Benedictus by Robert King, The King’s Consort. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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