All Must Be Love (Early version) album cover

ISRC

GBAJH0401925

All Must Be Love (Early version)2

Song: ALL MUST BE LOVE

Crime & the City Solution
matched
Released 1988-01-01

Last verified:

GBAJH0401925 is the International Standard Recording Code (ISRC) for the recording “All Must Be Love (Early version) by Crime & the City Solution, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS STERN (DE), SIMON PHILIP BONNEY, ALEXANDER HACKE, and others.

Format

GBCountry
AJHRegistrant
04Year (2004)
01925Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAll Must Be Love (Early version)

People also ask

What is the ISRC for "All Must Be Love (Early version)" by Crime & the City Solution?
The ISRC for "All Must Be Love (Early version)" by Crime & the City Solution is GBAJH0401925.
Who wrote "All Must Be Love (Early version)"?
"All Must Be Love (Early version)" was written by THOMAS STERN (DE), SIMON PHILIP BONNEY, ALEXANDER HACKE, BRONWYN ADAMS, MICK HARVEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJH0401925?

GBAJH0401925 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “All Must Be Love (Early version) by Crime & the City Solution. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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