ISRC

GBAJE0602415

Can You Feel the Force (12″ version)2

Song: CAN YOU FEEL THE FORCE

The Real Thing
matched
Released 2006-01-01

Last verified:

GBAJE0602415 is the International Standard Recording Code (ISRC) for the recording “Can You Feel the Force (12″ version) by The Real Thing, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AMOO.

Format

GBCountry
AJERegistrant
06Year (2006)
02415Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

AMOOComposer
SONY/ATV SONGS LLC OriginalPublisherIPI: 00187062752

Who publishes this song?

SONY/ATV SONGS LLCOriginalPublisher
IPI: 00187062752

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Can You Feel the Force (12″ version)" by The Real Thing?
The ISRC for "Can You Feel the Force (12″ version)" by The Real Thing is GBAJE0602415.
Who wrote "Can You Feel the Force (12″ version)"?
"Can You Feel the Force (12″ version)" was written by AMOO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJE0602415?

GBAJE0602415 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Can You Feel the Force (12″ version) by The Real Thing. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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