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Beverly Glenn-Copeland - For the Love (bonus demo) album cover

ISRC

GBAJC2500835

Beverly Glenn-Copeland - For the Love (bonus demo)

Song: BEVERLY GLENN-COPELAND - FOR THE LOVE

Hannah Peel
matched
Released 2025-11-21

Last verified:

GBAJC2500835 is the International Standard Recording Code (ISRC) for the recording “Beverly Glenn-Copeland - For the Love (bonus demo)” by Hannah Peel, released 2025-11-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HANNAH PEEL.

Format

GBCountry
AJCRegistrant
25Year (2025)
00835Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBeverly Glenn-Copeland - For the Love (bonus demo)
IPIHANNAH PEEL

People also ask

What is the ISRC for "Beverly Glenn-Copeland - For the Love (bonus demo)" by Hannah Peel?
The ISRC for "Beverly Glenn-Copeland - For the Love (bonus demo)" by Hannah Peel is GBAJC2500835.
Who wrote "Beverly Glenn-Copeland - For the Love (bonus demo)"?
"Beverly Glenn-Copeland - For the Love (bonus demo)" was written by HANNAH PEEL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJC2500835?

GBAJC2500835 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Beverly Glenn-Copeland - For the Love (bonus demo)” by Hannah Peel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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