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places to be (MESSIE remix) album cover

ISRC

GBAHS2500880

places to be (MESSIE remix)

Song: PLACES TO BE

Fred again..Anderson .PaakCHIKA
matched
Released 2024-06-14

Last verified:

GBAHS2500880 is the International Standard Recording Code (ISRC) for the recording "places to be (MESSIE remix)" by Fred again.., Anderson .Paak, CHIKA, released 2024-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TYSHANE THOMPSON, LAMONT T. BUTTS, WINSTON L. VIRGO, and others.

Format

GBCountry
AHSRegistrant
25Year (2025)
00880Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "places to be (MESSIE remix)" by Fred again..?
The ISRC for "places to be (MESSIE remix)" by Fred again.., Anderson .Paak, CHIKA is GBAHS2500880.
Who wrote "places to be (MESSIE remix)"?
"places to be (MESSIE remix)" was written by TYSHANE THOMPSON, LAMONT T. BUTTS, WINSTON L. VIRGO, JANE CHIKA ORANIKA, FREDERICK JOHN PHILIP GIBSON, BENJY GIBSON, BRANDON PAAK ANDERSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAHS2500880?

GBAHS2500880 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "places to be (MESSIE remix)" by Fred again.., Anderson .Paak, CHIKA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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