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The Glee Club (Robert Wilson Favourites) : O’ My Jock MacKay / A Gordon for Me album cover

ISRC

GBABT9700909

The Glee Club (Robert Wilson Favourites) : O’ My Jock MacKay / A Gordon for Me

The Scottish Fiddle OrchestraJohn Mason MBE
Released 1996-01-01

Last verified:

GBABT9700909 is the International Standard Recording Code (ISRC) for the recording “The Glee Club (Robert Wilson Favourites) : O’ My Jock MacKay / A Gordon for Me” by The Scottish Fiddle Orchestra, John Mason MBE, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ABTRegistrant
97Year (1997)
00909Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Glee Club (Robert Wilson Favourites) : O’ My Jock MacKay / A Gordon for Me" by The Scottish Fiddle Orchestra?
The ISRC for "The Glee Club (Robert Wilson Favourites) : O’ My Jock MacKay / A Gordon for Me" by The Scottish Fiddle Orchestra, John Mason MBE is GBABT9700909.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBABT9700909?

GBABT9700909 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Glee Club (Robert Wilson Favourites) : O’ My Jock MacKay / A Gordon for Me” by The Scottish Fiddle Orchestra, John Mason MBE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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