I Want to Be There (When You Come) album cover

ISRC

GBAAP9700031

I Want to Be There (When You Come)2

Song: I WANT TO BE THERE WHEN YOU COME

Echo & the Bunnymen
matched
Released 1997-01-01

Last verified:

GBAAP9700031 is the International Standard Recording Code (ISRC) for the recording “I Want to Be There (When You Come) by Echo & the Bunnymen, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LESLIE THOMAS PATTINSON, IAN STEPHEN MCCULLOCH, WILLIAM SERGEANT.

Format

GBCountry
AAPRegistrant
97Year (1997)
00031Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI Want to Be There (When You Come)

People also ask

What is the ISRC for "I Want to Be There (When You Come)" by Echo & the Bunnymen?
The ISRC for "I Want to Be There (When You Come)" by Echo & the Bunnymen is GBAAP9700031.
Who wrote "I Want to Be There (When You Come)"?
"I Want to Be There (When You Come)" was written by LESLIE THOMAS PATTINSON, IAN STEPHEN MCCULLOCH, WILLIAM SERGEANT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAAP9700031?

GBAAP9700031 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Want to Be There (When You Come) by Echo & the Bunnymen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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