ISRC
GBAAA9500155
I’d Do Anything for Love (but I Won’t Do That) (live from the Beacon Theatre, New York, U.S.A./1995)2
Song: I'D DO ANYTHING FOR LOVE (BUT I WON'T DO THAT)
Last verified:
GBAAA9500155 is the International Standard Recording Code (ISRC) for the recording "I’d Do Anything for Love (but I Won’t Do That) (live from the Beacon Theatre, New York, U.S.A./1995)" by Meat Loaf, released 2011-07-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-070248652-9.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1995):
- Last two digits of the reference year (1995). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Related
Other versions of this workView all on iswc.fm
I Won
Ty Dolla $ign, Jack Harlow, 24kGoldn
USAT22101717
I’d Do Anything for Love (but I Won’t Do That)
Andrew Polec, Christina Bennington, Dom Hartley-Harris, Rob Fowler, Sharon Sexton, Amy Di Bartolomeo, Giovanni Spano, Patrick Sullivan, Danielle Steers
UKKY71700021
I’d Do Anything for Love
Jovit Baldivino
PHS091004055
I’d Do Anything for Love (but I Won’t Do That)
Meat Loaf
GBAAA9301399
Do Anything
Mousse T., Lovebirds
DEP081700038
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People also ask
What is ISRC GBAAA9500155?
GBAAA9500155 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I’d Do Anything for Love (but I Won’t Do That) (live from the Beacon Theatre, New York, U.S.A./1995)" by Meat Loaf. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-070248652-9, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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