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We Ain't Came to Lose album cover

ISRC

FXR052200032

We Ain't Came to Lose

Song: WE AIN'T CAME TO LOSE

RaekwonGhostface Killah
unmatchedNot yet matched in the MLC database
Released 2022-06-16

Last verified:

FXR052200032 is the International Standard Recording Code (ISRC) for the recording "We Ain't Came to Lose" by Raekwon, Ghostface Killah, released 2022-06-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FXCountry
R05Registrant
22Year (2022)
00032Designation
Country:
ISO 3166-1 alpha-2 country code (FX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainz

People also ask

What is the ISRC for "We Ain't Came to Lose" by Raekwon?
The ISRC for "We Ain't Came to Lose" by Raekwon, Ghostface Killah is FXR052200032.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FXR052200032?

FXR052200032 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "We Ain't Came to Lose" by Raekwon, Ghostface Killah. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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