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ISRC

FRZ209616907

Offenbach: Les contes d'Hoffmann, Act 3: "Vois sous l'archet frémissant"

Song: Les Contes d'Hoffmann : Acte III. No 13 Récit et romance « Enfin je vais savoir pourquoi » … « Vois sous l'archet frémissant » … « Ah ! Tu doutes de tout » (Hoffmann, Nicklausse)

Kent NaganoCatherine Dubosc
Released 2016-05-20

Last verified:

FRZ209616907 is the International Standard Recording Code (ISRC) for the recording "Offenbach: Les contes d'Hoffmann, Act 3: "Vois sous l'archet frémissant"" by Kent Nagano, Catherine Dubosc, released 2016-05-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
96Year (1996)
16907Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Offenbach: Les contes d'Hoffmann, Act 3: "Vois sous l'archet frémissant"" by Kent Nagano?
The ISRC for "Offenbach: Les contes d'Hoffmann, Act 3: "Vois sous l'archet frémissant"" by Kent Nagano, Catherine Dubosc is FRZ209616907.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209616907?

FRZ209616907 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Offenbach: Les contes d'Hoffmann, Act 3: "Vois sous l'archet frémissant"" by Kent Nagano, Catherine Dubosc. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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