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ISRC

FRZ209520212

Premier livre de pièces de clavecin, Ordre 2: XII. La Diane - Fanfare pour la suitte de la Diane

Song: Deuxième ordre de clavecin en ré majeur: No. 12. La Diane et Fanfare pour la suite de la Diane

Olivier Baumont
Released 2007-08-27

Last verified:

FRZ209520212 is the International Standard Recording Code (ISRC) for the recording "Premier livre de pièces de clavecin, Ordre 2: XII. La Diane - Fanfare pour la suitte de la Diane" by Olivier Baumont, released 2007-08-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
95Year (1995)
20212Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Premier livre de pièces de clavecin, Ordre 2: XII. La Diane - Fanfare pour la suitte de la Diane" by Olivier Baumont?
The ISRC for "Premier livre de pièces de clavecin, Ordre 2: XII. La Diane - Fanfare pour la suitte de la Diane" by Olivier Baumont is FRZ209520212.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209520212?

FRZ209520212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Premier livre de pièces de clavecin, Ordre 2: XII. La Diane - Fanfare pour la suitte de la Diane" by Olivier Baumont. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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