ISRC
Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)
Song: Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
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The ISRC for “Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)” by Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe is FRZ149811140. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1999-11-05.
FRZ149811140 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)” by Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Michael Chance, Collegium Vocale Gent, Philippe Herreweghe
GBAYC8901498Collegium Vocale Gent, Schola Cantorum Cantate Domino, Anima Eterna Brugge, Jos van Immerseel
FR1P71435314Ian Bostridge, Radek Baborák, Berliner Philharmoniker, Sir Simon Rattle
GBAYC0501051Orchestre des Champs-Élysées, Philippe Herreweghe
FRZ149724020The ISRC for “Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus)” by Ian Bostridge, Collegium Vocale Gent, Philippe Herreweghe is FRZ149811140. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1999-11-05.
