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ISRC

FRZ149701050

Motet, BWV 225: Cori unisoni: Alles was Odem hat, lobe den Herrn

Song: Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten"

RIAS KammerchorAkademie für Alte Musik BerlinRené Jacobs
Released 1997-01-01

Last verified:

FRZ149701050 is the International Standard Recording Code (ISRC) for the recording "Motet, BWV 225: Cori unisoni: Alles was Odem hat, lobe den Herrn" by RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
97Year (1997)
01050Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Motet, BWV 225: Cori unisoni: Alles was Odem hat, lobe den Herrn" by RIAS Kammerchor?
The ISRC for "Motet, BWV 225: Cori unisoni: Alles was Odem hat, lobe den Herrn" by RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs is FRZ149701050.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ149701050?

FRZ149701050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Motet, BWV 225: Cori unisoni: Alles was Odem hat, lobe den Herrn" by RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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