The Bartered Bride: Act III. (PRINCIPÁL) Ohlašujeme slavnému publikum album cover

ISRC

FRZ141110080

The Bartered Bride: Act III. (PRINCIPÁL) Ohlašujeme slavnému publikum

Song: Prodaná nevěsta: Act III

Jaroslav BřezinaBBC Symphony OrchestraJiří Bělohlávek

Last verified:

FRZ141110080 is the International Standard Recording Code (ISRC) for the recording “The Bartered Bride: Act III. (PRINCIPÁL) Ohlašujeme slavnému publikum by Jaroslav Březina, BBC Symphony Orchestra, Jiří Bělohlávek. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
11Year (2011)
10080Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Bartered Bride: Act III. (PRINCIPÁL) Ohlašujeme slavnému publikum" by Jaroslav Březina?
The ISRC for "The Bartered Bride: Act III. (PRINCIPÁL) Ohlašujeme slavnému publikum" by Jaroslav Březina, BBC Symphony Orchestra, Jiří Bělohlávek is FRZ141110080.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ141110080?

FRZ141110080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Bartered Bride: Act III. (PRINCIPÁL) Ohlašujeme slavnému publikum by Jaroslav Březina, BBC Symphony Orchestra, Jiří Bělohlávek. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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