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ISRC

FRZ141023090

Sinfonia no. 12 in A minor "La passione di Gesù Signor nostro": III. Adagio

Song: Sinfonia no.12 in A minor "La passione di Gesù Signor nostro" (1730): III. Adagio

Akademie für Alte Musik BerlinGeorg Kallweit
Released 2015-01-01

Last verified:

FRZ141023090 is the International Standard Recording Code (ISRC) for the recording "Sinfonia no. 12 in A minor "La passione di Gesù Signor nostro": III. Adagio" by Akademie für Alte Musik Berlin, Georg Kallweit, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
10Year (2010)
23090Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sinfonia no. 12 in A minor "La passione di Gesù Signor nostro": III. Adagio" by Akademie für Alte Musik Berlin?
The ISRC for "Sinfonia no. 12 in A minor "La passione di Gesù Signor nostro": III. Adagio" by Akademie für Alte Musik Berlin, Georg Kallweit is FRZ141023090.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ141023090?

FRZ141023090 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sinfonia no. 12 in A minor "La passione di Gesù Signor nostro": III. Adagio" by Akademie für Alte Musik Berlin, Georg Kallweit. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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