ISRC
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Soccorri almen Nerone!" (Ottone) / Aria "Sotto il lauro ch'hai sul crine" (Nerone) / Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo)
Song: Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo)
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FRZ141017160 is the International Standard Recording Code (ISRC) for the recording “Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Soccorri almen Nerone!" (Ottone) / Aria "Sotto il lauro ch'hai sul crine" (Nerone) / Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo)” by Neal Davies, Bejun Mehta, Jennifer Rivera, Daniel Schmutzhard, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs, released 2011-10-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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FRZ141017160 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Soccorri almen Nerone!" (Ottone) / Aria "Sotto il lauro ch'hai sul crine" (Nerone) / Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo)” by Neal Davies, Bejun Mehta, Jennifer Rivera, Daniel Schmutzhard, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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FRZ141017160 is the International Standard Recording Code (ISRC) for the recording “Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Soccorri almen Nerone!" (Ottone) / Aria "Sotto il lauro ch'hai sul crine" (Nerone) / Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo)” by Neal Davies, Bejun Mehta, Jennifer Rivera, Daniel Schmutzhard, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs, released 2011-10-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Akademie für Alte Musik Berlin, Bernhard Forck
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FR7JM2106030Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck
FR7JM2020100Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, Johannes Weisser, Freiburger Barockorchester, René Jacobs
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